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New age for Australian horror
Interviews
Written by Theodore Lusney   
Monday, 18 December 2006

If you believe the naysayers, there's no market for horror and there's a limited market for short story anthologies.

 

Why then would a new publisher launch with two dark fiction anthologies — Australian Dark Fantasy and Horror 2006 edition and Book of Shadows Volume One? Articulate spoke to Brimstone Press co-founder Shane Jiraiya Cummings to find out. WA-based Cummings and co-founder Angela Challis are no strangers to publishing and the Australian dark fiction scene.

 
Interview with SF/Fantasy author Barry Maher
Interviews
Written by Jason Sizemore   
Monday, 18 December 2006

Barry Maher is the author of “Legend,” a book that has attainted cult status in many science fiction circles. “Legend” is the dark urban fantasy’s answer to “Dune.” The novel will electrify readers, challenging their views on such societal concepts as group-think and religion.

After reading “Legend”, I had the opportunity to ask Barry Maher about his novel, his work as a consultant, and whether he’ll consider returning to the world of speculative fiction.


JS: One of the most striking aspects of "Legend" is the remarkable job you did in creating the story's universe. The City, the "Big Eaters", and the Regent (the poor, the privileged, and the Religious/superstitious) are fully realized representations of the type of social fracturing you'd expect in a dying world. Did this stem from a vision of a post-Cold War environment, or something greater?

BM: Absolutely, Jason, the world of "Legend" is dying. The City is isolated and feeding on itself. What passes for a government has become divorced from the people it should be serving. It's entrenched, self-serving and uncaring. Brutal. And while the area the Disciples control is vigorous and powerful, it's a cancerous power, one that's twisted and perverted. And even more brutal than the inept stupidity of the government.

The world of Legend is a world of constant, unremitting fear and danger: Everyone is in danger: Martin and Gena, the bureaurers, the Disciples, the folkers-everyone. Ironically the danger was generated by the society's obsession with security. The City isolated itself only to find that it was trapped inside that isolation with something even worse than the unknown horror lurking outside.

Civilizations, cultures, governments, religions, individuals: don't we all want to protect ourselves from the dangerous of the outside world:
Dangerous people, dangerous ideas, dangerous otherness? The dangerous unknown.

The vague place on the map where "Here there be monsters." It might be an actual place, or it might be the dark areas of stranger's mind that nurture unsettling beliefs and, quite possibly, unpredictable and threatening behavior. Of course it's only by exposing ourselves to that otherness that we both test and nurture ourselves and our ideas. That's how we adapt. That's how we grow: at least it's how we grow in a way that tries to adapt to outside reality.

But In "Legend" there's only isolation. The isolation of the bureaurers leads only to atrophy and ultimately death. The isolation of the Disciples leads to the twisted, perverted, brutal growth of a cancer, which of course ultimately devours the life that feeds it.

 
Spotlight on Lyn Lifshin
Interviews
Written by The Administrator   
Monday, 18 December 2006

Daniel Nester provides a dispatch from a reading by Lyn Lifshin, who—according to Nester—might be one of the most prolific poets in the universe. Nester Writes:

Since her first poem was published in 1967 in the anti-war mimeo magazine Kauri, work by Lifshin has appeared in more than 300 journals big and small. Now in her late 50s, she is unofficially known as the queen of the small presses. Len Fulton, publisher of Dustbooks’ Directory of Poetry Publishers, takes an informal poll every year in which he asks journal editors to name five representative authors from their pages. He tallies up the names and publishes the results in the directory’s “Popularity Sweepstakes.” Lifshin has won the poll 16 times.

When I heard about Lifshin’s Caffe Lena reading, my curiosity was piqued. I wanted to see if she was for real. She is so prolific; would it be possible for her to take a break from writing her accessible, conversational, mostly short-lined poems? Would she be stuffing envelopes bound for faraway journals at her table? Was she a good reader of her work? Most of all, I think, I wanted some closure after reading so many of her submissions.

Read the rest of Nester's piece at the Poetry Foundation, click here.

Source: Daniel Nester, Poetry Foundation

 
Indie books make perfect last-minute gifts
Announcements
Written by Katie St Jean   
Monday, 18 December 2006

From Jarret Keene, via the Tucson Weekly, comes a great piece for the holidays:

The holidays are all about friends and family—which means there's very little quiet time. Instead, there's clamor in the kitchen, TV sports blasting in the living room and hopefully a closet crammed with enough so-so gifts to be "re-gifted" by this time next year.

Let's face it, though: What everyone really craves during the holiday is a little bit of (to borrow from '80s metal band Queensryche) silent lucidity. And what better way to enjoy quiet time than with a cool book?

Sure, there are plenty of great new corporate-published novels out there worth buying—from The Godfather's Revenge to Cormac McCarthy's The Road. But after a week of eating ham and turkey leftovers, giant hardback books are a real pain to lug from the bathroom to the bedroom and back again.

 
This Week from Ahadada: Bruna Mori
Announcements
Written by The Administrator   
Sunday, 17 December 2006

We would like to wish all of our readers and website visitors a safe and very happy holidays! For those of you who share in the cold northern climate, Ahadada's got something to warm you up courtesy of Bruna Mori from the land of sand, sunshine and swimming: an online chapbook featuring the aforementioned poet's latest!

Thus, we are pleased to present Tergiversation by Bruna Mori. Tergiversation is the twelfth release in the Ahadada Books Online Chapbook series.

Bruna Mori is the author of Dérive (Meritage Press), a book of cityscape poems with sumi-ink paintings by Matthew Kinney, and the chapbooks Tergiversation (Ahadada Books) and The Approximations (2nd Avenue Poetry), homophonic and sensorial translations of the poetry of Alejandra Pizarnik.

Her writing has been published in journals Fence, Trepan (California Institute of the Arts), and ZYZZYVA, among others, and presented at venues such as Beyond Baroque, City Lights, and The Poetry Project at St. Mark's Church.

She writes essays—most recently for a Semiotext[e] anthology on Isamu Noguchi's designs for Poston (the internment camp where he was incarcerated). Her articles on artists and writers, such as John Zorn, le thi diem thuy, and Mei-mei Berssenbrugge, appear in disinfo, Random House Bold Type, and other magazines and anthologies.

 
Trevor Laalo, Rob O'Flanagan and Tony Armstrong Performing
Announcements
Written by Laurence Steven   
Friday, 15 December 2006

Trevor Laalo +  Rob O'Flanagan + Tony Armstrong = Bump, an evening of high energy performance poetry at Books & Beans, Durham St. Sudbury, Wednesday, December 20 starting at 7pm. Described as 'electrospokenshout,' the performance will feature new work by all three Sudbury-based poets, performed to O'Flanagan's electronic music compositions. Admission is free and seating is limited.

 
kari edwards recording / tribute
Announcements
Written by Jamie Gaughran-Perez   
Thursday, 14 December 2006
Image Back in March 2006 kari edwards read over here in Baltimore at the i.e. reading series. Fortunately enough (in hindsight), Justin Sirois recorded the reading.

Over the past week he was able to dig up the source files and compress them down to MP3s—which we have up on Rock Heals this week with other brief remembrances and a short tribute poem from Michael Ball. Check them out here.

The audio is 23 minutes of kari reading from her last book, "obedience," so it's no short download (10.x MB!), but since there are so few recordings of her available, we thought it was best to get it out there for everyone. Download it and enjoy, today and tomorrow and the next day and the next, etc.

They'll be there after this week, you'll just have to look in the archives to find 'em.
 
Favorite Poem Project returns
Announcements
Written by Jessica Smith   
Tuesday, 12 December 2006

Jingle bell rhymes will be challenged this Tuesday when locals gather to read poems at Poetry Santa Cruz' now-regular "Favorite Poem Project.
 
The event begins at 7:30 p.m. at the New Davenport Cash Store, Highway 1, Davenport. A donation of $3 is requested.

To get a poetic mood started, below is a piece of a poem sent in by Santa Cruz resident Wallace Wood who wanted us to know about formerly local poet Lorna Dee Cervantes and her book "Drive: The First Quartet; new poems, 1980-2005" Wings Press, $24.95.

 
A bomb on a front lawn?
Announcements
Written by Linda Sendecki   
Monday, 11 December 2006

Nick Mamatas's quirky new book, "Under My Roof" - about a telepathic 12-year-old who helps his father declare their home its own nation after planting a nuclear device on their front lawn - takes place in Port Jameson.

If that sounds like Port Jefferson, it's meant to, says Mamatas, who was born and raised in Port Jefferson Station. Early on, he says, the family lived in Brooklyn before settling into the home his father, a longshoreman, started building. "First we lived in the basement, then he built the first and second floors. For my 17th birthday, I got electricity in my room," he says.

 
College of the Atlantic Showcases Printmaking
Announcements
Written by Linda Sendecki   
Thursday, 30 November 2006

Of the more than 25 exhibitions on view across the state this fall, highlighting the legacy and ongoing vitality and variety of printmaking in Maine, the show at College of the Atlantic’s Ethel H. Blum Gallery is among the most diverse. In a single room are hung a quartet of silkscreen prints by master realist Richard Estes, five monotypes by painter Susan Lerner, 13 black-and-white woodcut prints by children’s book illustrator Ashley Bryan and an extensive sampling of the fine letterpress work of the late August Heckscher (1913-1997).

 
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