I always get a really deep sinking feeling when I get my SASE's back—my gut drops out. Today I got two, one from a spec fiction magazine, and another from a speculative literature agent. But, to my surprise, both were requests—not acceptances, of course, but requests to see more work! The latter is actually from the literary agent's assistant, who passed the query along to another agent who wants the full ms. No more sinking feelings after all!
On an unrelated note, why is it that no matter what, it always takes 2 or 3 attempts for me to get my mailing labels to print correctly? And speaking of, what happened to plain old shipping-style mailing label templates in Word? Now the only templates they have for that size have festive themes on them.
Finally making some great progress on several projects. I suspected this might happen; I got a lot of writing done today.
One of strongest points as a writer is that I can write excellent action sequences-coupled with the software I blogged about before, this has mean I can concentrate on the action of the scene, rather than the plot or character (I've loosely plotted beforehand). I can see thse scenes played out in my head, and when I get down to writing, it's like I am transcribing a movie, simply moving my fingers as fast as I can to translate what I see on 'screen'. As a result, I write quickly, faster than normal, really. So in contrast to the last few days where it was a struggle to write, today I sat down and moved my fingers on the keys and all of a sudden I five pages poured forth.
And I was just getting started.. So at the end of the writing day, I had racked up 17 pages. Will check in tomorrow. So far so good!
The Impossibility of Dreams is now available for order from Ahadada Books. Click here for more information. Or-go directly to our shop and order.
Copies are on their way to Small Press Distribution - but not available for order yet. We'll keep you updated. For now, order copies directly from us!
Author: Cover: Pub Date: Publisher: ISBN: Price:
Axelrod, David Paperback April 1, 2007 Ahadada Books 978-0-9781414-3-1 C$23.00 US$20.00
Available soon from Small Press Distribution
"David B. Axelrod is a treat." —The New York Times
"One of the finest and most original American poets now writing." —X. J. Kennedy
"Whether Axelrod is reliving a moment of pleasure, or a time of bitterness and pain, the truth of his poetry is like life itself compelling." —Louis Simpson
Dr. David B. Axelrod has published hundreds of articles and poems as well as sixteen books of poetry. Among his many grants and awards, he is recipient of three Fulbright Awards including his being the first official Fulbright Poet-in-Residence in the People's Republic of China . He was featured in Newsday as a "Star in his academic galaxy," and characterized by the New York Times as "A Treat." He has shared the stage with such notables as Louis Simpson, X. J. Kennedy, William Stafford, Robert Bly, Allen Ginsburg, David Ignatow and Galway Kinnell, in performance for the U.N., the American Library Association, the Struga Festival, and hundreds more schools and public events. His poetry has been translated into fourteen languages and he is a frequent and celebrated master teacher.
No, not that kind of software; I mean the kind of software that will help you with your writing. One that helps you get — and stay — organized.
For someone who writes, any little thing that may help has got to be a good thing. And this is greater than your average little thing. I can't rememebr where I found this piece of software, but I really dig it. Actually probably from a random blogger recommendation.
It works in the same manner as some paid software, but it remains free. It's called ywriter. It's up to version 3 now. Here's some of its features:
Organise your novel using a 'project'.
Add files to the project, each containing a chapter.
Add a summary to each file, showing the scenes in each chapter.
Print out summary cards, showing the structure of your novel.
Display the word count for every file in the project, along with a total.
Saves a log file every day, showing words per file and the total. (Tracks your progress)
Saves automatic backups at user-specified intervals.
Allows multiple scenes within chapters
Viewpoint character, goal, conflict and outcome fields for each scene.
Storyboard view, a visual layout of your work.
Re-order scenes within chapters.
Move scenes from one chapter to another.
Automatic chapter renumbering.
I am still learning to use it but it is well laid out.
I moved away from the habit of writing in a linear fashion (starting at page 1 and grinding out the pages until I fleshed out some kind of narrative). The author of this software phrases it best:
I really struggled over my first novel because I wrote whole slabs of text into a great big word processor file and tried to make sense of the whole thing at once. I then tried saving each chapter to individual files with great long descriptive filenames, but moving scenes around was a nuisance and I couldn't get an overview of the whole thing (or easily search for one word amongst 32 files).
Anyway, all of your 'scenes' are stored in RTF files, and these can be edited with regular word processor. You can add multiple characters to every scene, the way information is presented and used is much more logical. The editor also allows setting of font style and size, plus bold, italics and underline.
Kurt Vonnegut, whose dark, satirical vision in works including "Slaughterhouse-Five" and "Cat's Cradle" was shaped by the horrors he witnessed during World War II, has died at age 84.
Vonnegut died on Wednesday after suffering brain injuries following a fall weeks ago, said Donald Farber, Vonnegut's friend, lawyer, agent and manager.
Vonnegut wrote plays, essays and short fiction, but his 14 novels were classics of the American counterculture, resonating with the U.S. antiwar sentiment during the Vietnam War era.
The author's Web site, updated after his death, displayed a simple black-and-white image of a bird cage -- a symbolic element in his writing -- empty with an open door. "Kurt Vonnegut, Jr. 1922-2007," the page read.
"All persons, living and dead, are purely coincidental. " Rest in peace, Kurt!
Thanks to the folks at Rain Taxi and Lucas Klein for a fine review of Jerome Rothenberg’s powerful collection. We’re pleased to have brought it out. Here’s the link. Enjoy!
Imagine going to work one day only to forget how to do your job.
I have determined that I'm suffering from writer's block. I have a lot to say, but I just don't have the energy to struggle for the words that normally come easily. So, that's cool. I'll take a break from any real writing, and just surf the net and/or do nothing at all.
Do you know the longest word that can be spelt on the top row of a QWERTY keyboard?
It's 'typewriter'. The keyboard was designed with that particular quirk in mind. It might an urban myth, but I heard that the QWERTY layout was designed to actually slow down typing so that the hammers would not jam.
Also, a door to door salesman could quickly demo the machine by typing out "Typewriter" with one hand on the top row.
The 2007 Buffalo Small Press Book Fair took place on March 31, 2007 from noon to 6pm. The event was held at the Karpeles Manuscript Library Museum on Porter Avenue in Buffalo, New York.
The book fair was a one day event that brought together booksellers, authors, bookmakers, zinesters, small presses, artists, poets, and regional cultural workers of all kinds in an absolutely amazing venue. Poetry readings, performances, discussions, and related lectures also took place throughout the day. Jessica Smith (who I, disappointingly, didn't get a chance to talk to) wrote up a nice piece here on the event. The fair was a tremendous success-a great crowd rolled in. Karpeles (the venue) was just beautiful. We were blessed with a cool little corner right kind of wedged in between Gustave Morin, Rob Read and Daniel Bradley on one side and BookThug on the other. It was cool, because our books really just sold themselves - a surprising number of people were familiar with the press (more and more every year). Even more were familiar with our authors - thanks to Jerry Rothenberg and Jim Daniels regularly making their way up to Buffalo and Jesse for returning each and every year to establish a readership in Maryland and New York State! All of our titles sold - the new titles as well as those in our catalog - as well as the books of our friends at West House and Ikuta Press. In a day or two, I'll get up a post about all of the people we met and books I snagged. But just wanted to thank everybody who attended the fair and especially the organizers (thanks Chris and Aaron and Kevin and everyone else involved). Snapped lots of pictures, too!
This just in from Chris "Thanks to everyone for a great event! 800-1200 attendees, happy vendors, just about everything you could ask for!"
I took Thursday off from work. I needed a day where I didn't have to sit at the computer, answer the phone or any questions.
Usually after a day like that I rush home, scarf some food down and try to get a couple hours of writing in.
Instead of doing that, I slept in until 8am (when I was younger I never would have thought that one day I would consider waking up at 8am, sleeping in), ate some cheerios and took a very long shower before heading downstairs to write.
I had a great writing day. I let go and just wrote. Finally I was able to listen to that advice I have been told so long. It wasn't easy, however, but I think I happened upon a good technique.
At first, I wasn't getting much accomplished other than just getting frustrated (and surfing the web).
I finally realized what I could do to be a little more productiive. I broke each task down into one hour blocks. I have a half dozen books to read and write reviews for, two edits to be done to manuscripts I would like to submit to online mags and a little free writing.
If I didn't do this when I was editing, I would think about the reviews. When I was sitting reading, I was thinking about my me skipping out at work. My thoughts would spin like truck tires in mud, never gaining traction on what I was doing at the time, but on everything else that needed to be done.
So I decided to break it all up. I would concentrate on one project for one hour at a time. I read for one hour, then edited for an hour, then wrote for an hour, etc.
And ended up getting more done in a few hours than I had all weekend. I gave myself permission to do what needed done for a specific amount of time and not worry about the other stuff. And it worked.
I wholeheartedly suggest it!
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